Robotic Attack Squadron is now on Honest Gamers!

        Hello to any readers that may exist! Robotic Attack Squadron is doing all of its reviews from this point forward on honestgamers.com! The reviews can be found here. There are 3 up already:
Planets Under Attack
Thomas Was Alone
Lost Planet: Extreme Condition

        I decided to switch to posting reviews on Honest Gamers rather than on this personal blog as I was not getting very much feedback here. Honestly, I don't think I have any readers except for family and friends that check in every once in awhile. My hope is that posting reviews on Honest Gamers will lead to being able to discuss games in the comments sections of reviews, thus giving more context and clarity to the review itself.

        Honest Gamers uses a traditional 10 point scale for scoring. To arrive at my ten point score, I score the game as I usually would, then convert. Bad games are 1-3, mediocre games are 4-6, and great games are 7-10. A score of great game tier 2 can be either an 8 or a 9. I think you can kind of see this in my reviews up to this point as I describe some tier 2 games as just really solid and others as very nearly perfect. I hope you will follow along with me as I continue to post both reviews and blog posts at Honest Gamers! Thank you!

The Game of My Year Awards 2014

       It's that time of year again! Time for the 2nd Annual Game of My Year Awards, where every game reviewed by Robotic Attack Squadron in 2014 is ranked in order thus making the first game the GOMY.
       Firstly, I propose that we take a look at 2013's top honors for comparison purposes:

1. Closure
2. El Shaddai: Ascension of the Metatron
3. Where is My Heart?
4. The Walking Dead
5. Bit.Trip Presents... Runner 2: Future Legend of Rhythm Alien
6. Spec Ops: The Line
7. Anomaly: Warzone Earth
8. Bioshock 2: Minerva's Den
9. Alien Zombie Death
10. Oddworld: Stranger's Wrath
11. Wipeout HD: Fury

       Now onto this year's candidates. The first game on the list is my game of the year, and we count down to the worst from there. And keep in mind that I write this off the cuff without comparing scores, so a game that was scored lower could end up higher on the list than a game that had a better score. It's kind of my way of showing that a game might have improved or degraded in my mind after the initial review. Enjoy!

1. The Last of Us: Grounded Mode - This DLC is simply a harder difficulty mode for The Last of Us. It eliminates the HUD and makes everything harder. The Last of Us felt much more "right" in this mode. Even on Survivor mode, the highest initially available difficulty mode, some things just felt a little too easy, especially the amount of item drops you can cause by using up all your ammo. Grounded Mode still has some instances where it will generate ammo for you if you need it, but it does it much, much less. This is really important since the game is all about scrounging for supplies and just barely scraping by and surviving. I even enjoyed TLOU's story more for some reason on this playthrough. It was my 3rd time around, and I really enjoyed some parts that I thought were dumb before. I never liked Tess, but this time around I loved her. The added difficulty is just what the doctor ordered for a game such as this.

2. The Walking Dead Season 2 - Tell Tale's continuation of the story it started last year is pulled off with aplomb... at least on the story side. Technical edges remain extremely, disappointingly rough, but playing through this game's situations as Clementine is a blast. This game of life on the edge of survival is harrowing and brilliant. If you don't get on board for season 3, you messed up. Zombie games take the number 1 and 2 spots, with more to come below. I guess it was the year of the zombie for me.

3. Sanctum 2 - My 3rd favorite game does not involve zombies. It does involve weird creatures attacking you and your base though. Sanctum 2 is a perfect balance of tower defense and frantic FPS action; you must be doing both right in order to succeed. Fail at one or the other and you probably won't make it. I played this game for a long time because it is not only balanced and challenging but addictive and fun. The really, really great visual design of everything doesn't hurt either.

4. The Last of Us - I was pretty disappointed with TLOU because I was expecting it to be perfect and it certainly wasn't. Grounded Mode, my no. 1 pick of the year, addressed most of the gameplay issues and for whatever reason I liked the story better too when I played it on that mode. But that's not to denigrate vanilla TLOU, which is amazingly great in its own right and does a million things nearly perfectly for every big flaw it has.

5. Papo & Yo - This extremely personal semi-autobiographical fantasy 3d puzzle platformer game is capable of causing large feels in my jaded heart. The music and visual design are both really great, as is the heart wrenching allegorical story of the sins of a young boy's father. Its wild environment manipulation puzzles keep the interactive part of the game interesting throughout as well.

6. Strength of the Sword 3 - In my review, I described SotS3 as a hardcore experience akin to Monster Hunter or Demon's Souls that you can experience in just a few hours instead of dozens. I was happy to see that the creators say just about the same thing on the official website. Even the weakest of enemies can kill you in this series of arena fights, but as your skills and your armory continue to grow, you'll soon be taking on groups of enemies in challenge mode that you couldn't fathom being able to beat at the beginning. Character design is also off the charts awesome, and the music is a nearly perfect fit. It's amazing that this 2 man studio can so perfectly nail so many things that bigger operations get wrong.

7. Patchwork Heroes - I had almost forgotten about this game when I went to make this list. Then I remembered how I played it obsessively for probably a month or more during my lunch break and that I had almost given it a perfect score. It's simple concept (it's basically a Jezzball game where you have to cut the level in half over and over) is fleshed out to the 9's with tons of mechanics, enemies, power-ups, and a great visual design and story theme. There is a ton of content that never gets old due to truly genius level design and variety.

8. The Last of Us: Left Behind - Left Behind is a DLC scenario taking place before and during the events of TLOU. You play as Ellie. Sometimes this kind of thing can feel forced story wise, but it mostly fits in really well. The gameplay remains as fun as ever, and I especially loved the final confrontation on Grounded Mode, which took me a million tries. I enjoyed every try, it was a blast. If you've taken a few months off from TLOU and you want just a taste more, this is just what the doctor ordered.

9. Dark Void - I'm surprised I don't hear more about Dark Void. Sure it has absolutely awful writing and some strange pacing problems, but the visual design and gameplay are amazing. At its best, you'll be in a level with miles of air space for you to jetpack around in with several objectives that require ground traversal, such as huge flying bases. No other game has that that I've ever played. It's an amazing feeling to fly over to a gigantic hovering installation, get inside, shoot your way through, rig it to blow, and then jump off as it explodes, free falling for a few seconds before hitting the jetpack and swooping onto the next base, which is guarded by UFO's you have to dogfight and hijack along the way. Amazingly fun.

10. Braid - Braid is pretty close to perfect in its visual design, gameplay, and story. I think the reason I didn't put it higher on this list or even give it a perfect score is that it is too similar to Closure. I gave Closure a perfect score, and I guess I don't want two games that are so similar to have the same score. Closure is the pinnacle of the genre and one of the pinnacles of video gaming itself, so it needs a higher score than Braid. If it didn't exist, Braid might be perfect too. The time manipulation puzzles have to be seen to be believed. The level design is mind-bogglingly precise and complex. And the ambiguous story is quite interesting. And it's gorgeous, one of the best looking games... ever I guess.

11. The Walking Dead: 400 Days - This follow-up to season 1 of The Walking Dead is a stand-alone chapter with all new characters. Most people I know who've played have had a pretty blah reaction to it. I thought it was brilliant. I went in thinking it might be blah, but it was brilliant. The first big choice I had to make had me debating for like 5 minutes. One of the next choices (the one involving prisoners) is one of my favorite Walking Dead moments. The format of telling multiple short little stories was great. And then the inclusion of several of the new 400 Days characters in Season 2 worked quite well (despite the fact that part of it was incorrect based on my choices!), especially the inclusion of one of the characters as a main character in the latter part of Season 2. You have some nice insight on her if you played 400 Days.

12. Retro/Grade - Retro/Grade's sh'mup in reverse as a rhythm game is a little hard to wrap your head around at first, but it works really well. I'm pretty worn out on the Frequency/ Guitar Hero model of game, but I loved Retro/Grade. It gave me hope for that sub-genre. A big part of that is its stellar original soundtrack, probably the best I've heard all year. I would kill for some DLC levels with new songs. The balance of how Retro/Grade's beat matching mechanics work is also a big reason why I played a ton of this game despite it being comparable to Guitar Hero.

13. Dyad - Dyad is pretty fun, but not quite engaging enough to play to total, absolute completion. It is very fun to beat and then play through some of its crazy challenge levels. However, the game's last level, Eye of the Duck, is a shocking, beautiful, moving experience. I haven't stared at a screen with my mouth agape like that since Closure. Highly recommended.

14. Plants Vs. Zombies - Each level of this game is kind of exactly the same. Except there is always something different. Be it the set-up of the field, the type and number of zombies that attack, and especially the plants that you choose to take with you. I played a ton of this game, and I kind of forgot about it. But making this list reminded me of how much fun I had and how much content there was, which is why it is so high on the list. Great music, art, and animation too.

15. Giana Sisters: Twisted Dreams - This game's absolutely amazing soundtrack switches between light rock and total metal on the fly as your character changes back and forth between cute and punk modes. The very challenging 2d platforming gameplay is really special and the gameplay feels fresh since you must switch forms constantly to use the abilities you need for each given area. The extreme difficulty was balanced just on the edge of frustration for me, which is right where it should be. The harder difficulty modes are laughable though.

16. Urban Trial Freestyle - I wouldn't normally consider playing a game like this. Joe Danger is pretty similar to this, and I didn't find that fun. But this game is awesome. Driving your dirtbike through everyday urban situations leaves an extreme swath of destruction in your wake, and it is quite the spectacle to witness. It would be disturbing if it wasn't awesome. Trying everything you can to shave a few seconds off your time or add a few points to your score so you can unlock some new levels is a great feeling.

17. Soldner-X: Himmelssturmer - There are a ton of shmups out there, so I was going to pass over this one and maybe try its sequel which looked a bit more interesting. But when this one was on sale for $1 on PSN, I couldn't resist trying it. And I'm really glad I did. It has a really nice feel to it since it forces you to constantly switch weapon types. It's very difficult and has a cool last boss. And perhaps best of all, its "berserking" system ensures that nearly every death is an awesome one and that you might even be able to squeeze through some near death situations.

18. Bangai-O Spirits - Bangai-O looks like a shmup, but it's not. At least it's not a traditional one. It is set in little non-scrolling levels you can fly around in. This allows for mazes, puzzles, and rooms. This game is filled to the gills with screen-filling, hardware crashing missile attacks. The strategies you can work out for taking on giant hordes of enemies or single enemies with that are packing incredible firepower are really fun and interesting. The multiple weapon types and combinations, unique controls, and tons of content made this a fun lunch break institution for me for a month +.

19. Lone Survivor: The Director's Cut - Don't call it "Director's Cut." It's "The Director's Cut." This game is pretty disturbing. It's a 2d pixel art account of one man who seems to be alone in a city where everyone has mutated and become an unspeakable monster. And oh what pixel art it is. Some of the best. It looks like detailed cross-stitching on fabric. The protagonist is loosing his grip on reality after so much time alone with the truly hideous creatures roaming his apartment building. Scrounging for food and supplies to try and survive and keep your mental health high become a daily routine. But what will become of the man when his mind becomes more and more fragmented and the crazy visions he sees start to blur with his already twisted reality? FIND OUT NEXT HALLOWEEN (I recommend you play all horror games around Halloween).

20. Burger Time World Tour - Burger Time World Tour plays a lot like the classic old-school version but in giant circular levels that loop around on themselves. It's pretty cool how you can see parts of the level that are really far away on the other side of the loop and plan on how you are going to get over there. The frantic gameplay, interesting and varied levels, and the very cool theme make this game lot of fun.

21. Everyday Shooter - This game is all about the music, and fortunately it has unique and awesome soundtrack that sounds like (and I'm pretty sure is) just one guy jammin' on his electric guitar. The way the scoring system changes for each level is great and leads to more and more discovery about its levels as time goes on. The beautiful abstract enemies and levels are great too. It can get a little repetitive since you must re-play the game over and over to get good enough to beat it, so make sure to put shuffle mode on to mix things up a bit.

22. Child of Eden - Child of Eden succeeds about half of the time in being a magical fusion of music, sound, visuals, and gameplay. It works great with Playstation Move. But between some missteps in the soundtrack, visuals, and theme, it is not really re-playable despite the fact that it wants you to play it a lot. It's at its greatest when it suddenly hits you with real life pictures and videos in the midst of its otherwise trippy, abstract environments.

23. Alien Syndrome - This old arcade game is instantly fun and cool looking. It gets a bit frustrating after awhile as the difficulty slowly ramps up, but killing waves of awesomely animated enemies and disgusting bosses is tons of fun.

24. Fantasy Zone - Here's another fun arcade game that feels like a shmup but allows you to fly in either direction. It has a fantastic whimsical look and soundtrack and features lots of fun and balanced boss fights.... until it becomes insanely hard.

25. 1000 Tiny Claws - This game has a great art style and sense of humor (and title). The gameplay is simple but fun. The insect sprites are great, especially the giant bosses. The gameplay can get a little old, especially once you get to challenge mode, but it's pretty fun if you play it in bursts rather than for hours on end.

26. Kid Chameleon -  This Mario-like platformer differentiates itself from the plumber by offering TONS of big levels, cool transformations, and a cool art style. It's extremely punishing and long to the point where it should probably be considered a design flaw, but it's fun to save scum your way through this very Genesis-feeling game.

27. Shinobi Arcade - Your player character in this game doesn't move like a ninja. He's animated pretty poorly. But he feels like a ninja, and that is more important. When you fight another ninja (or three), it really feels like a battle between two martial artists. To the outside observer it might seem pretty straightforward, but the importance of positioning really makes the game shine, as do the fun boss fights.

28. Mega Man Zero 3 - MM03 is another solid entry in the Zero series. The story is terrible, but as usual there are some cool parts; in this case a rather large and interesting reveal that isn't capitalized on. The game is tight, but not as fun and interesting as MM02, so it felt a bit disappointing as it is basically the same thing but not as good.

29. Costume Quest: Grubbins on Ice - This DLC is more Costume Quest, for good and ill. It's more of the same fun and clever writing and visual design, but also more of the same problems, such as repetitiveness and lack of complexity. I was hoping this addition would work on some of these problems, but at least it still had more of the enjoyable fun atmosphere and writing.

30. Fatal Labyrinth - This roguelike is ok, but the fact that it is really basic and troped-up and that it has a bad interface make it pretty obsolete. There are many other roguelikes that do the same thing but better in every way plus have some innovation to them. It does have graphics though.

31. Space Harrier - Space Harrier is fun to play because it has crazy characters and enemies, but to me it seems impossible to control where your shots go. Therefore you can't really improve yourself. Therefore it isn't really fun, except when a giant wooly mammoth winks at you with its one cyclops eye.

32. Hysteria Project - This is a short FMV horror game. The concept is ok. The video is super grainy. The gameplay is not done right. It's bad. It's interesting and full of potential, even as a short little interactive experience, but unfortunately it's not worth your time as is.

33. Sneezies - Sneezies is pretty cool for about a half hour. But you still have a long way to go at that point even though you've seen it all. It would be amazing as a small part of another game like a bonus round or maybe as a random time waster that's part of an ad campaign or something. It's not something that's worth playing through a campaign of 50 levels or whatever it is. I guess you could also add some new mechanics to it throughout to flesh it out as the basic idea is cool.

       There you have it, the best (and worst) games of my year! If anyone reads this blog, I greatly appreciate it. 2014 was a great year for games for me, and I am hopeful that I will find a perfect score game out there in 2015. I am currently playing Ring of Red and Planets Under Attack, with Thomas Was Alone and Lost Planet coming up soon, so look for those reviews in the near future, and happy new year!

Sanctum 2 Review

       You know you're about to review a good game when you get ready to start writing and instead you just start playing the game for a half hour. That's what just happened to me when I fired up Sanctum 2 to let it run in case I needed to reference it during the writing of this review.

       Sanctum 2 is an FPS tower-defense game. It's a pretty even match of both genres. In each level, you construct, upgrade, and configure an array of towers. Then, you face a wave of enemies. You whip out a gun and run around shooting enemies. Between the towers and your own firepower, you must defend a giant sphere called a core in the level. If your core survives the wave, you get more resources to build and upgrade your towers, and then you face the next wave. If you die, you re-spawn. You only lose if your core gets taken out.

       Sanctum 2's story is told in a really ingenious way. You are given no back story at all. You are thrown right into the thick of the action and you'll have to catch up with what is going on as you go. The story is told through beautiful comic book style panels that appear between levels. The story is ingenious because you basically pick it up through context and reading conversations in the comics. You aren't directly told anything, but you soon get a grasp on the basic situation, and by the end, you feel like you really know the characters and the story just as well as if it had been to to you explicitly. I haven't really seen a game pull this kind of story off in this way before. It really adds to the drama of the action to not know exactly what is going on at first. You feel like you are being dragged along for the wild ride; sort of like a movie that starts in the middle of an action scene and explains the situation later. Unfortunately exactly what happens at the end is a little unclear (although it is clearly really cool), but up until that point the story and its method of delivery is just great. Now, given what I just told you, I obviously can't tell you anything about the story.

       So, when you fire up Sanctum 2 and load up a level, you must first choose a character. There are four to choose from. Each character is defined by their main weapon, which no one else can use, and a few unique abilities. Without getting into the nitty gritty details, there is Skye, who has an assault rifle and can double jump. Then there's Sweet, who has a rocket launcher and has better maneuverability while jumping. SiMO is a robot with a sniper rifle who does extra damage if he hits enemies in their weak spot, and Haigen has a shotgun and does more damage if he is close to the enemy. Once you pick a character, you pick a secondary weapon for them. Then you pick what towers you want to take into the level with you, and then you take perks for the character. So there are a lot of choices to make to trick out how you want to play. You gain experience for playing, and when you level up, you unlock new secondary weapons, towers, perks, and tower and perk slots that let you take more of those things with you into battle. There are quite a few weapons and towers to earn, and many perks, and taking different stuff drastically changes your performance in the level. I found a few favorite perks and stuck with them (such as the one that heals the core after each round), and rotated my other perks based on what was needed for the level and character (there is one that make you re-spawn instantly instead of having to wait 10 seconds, one that damages all enemies around you, one that makes enemies explode when they die, and many others). I found tower combinations that I liked to use early on, but was able to experiment enough that I would change my line up from time to time. I tried to rotate which characters I used. My most used was Haigen, whose shotgun, which can charge up and fire extremely strong blasts, is devastating and extremely useful, but I also had a good run sniping enemies as SiMO for a few levels. And while I was less successful playing as Skye and Sweet, I still used them for a couple of levels and enjoyed playing as them a lot. Helping you pick your favorites in all these categories are numbers that pop out of enemies when you damage them, RPG style. I love this. Just like in Soldner-X, this addition really adds a lot to the gameplay and feel. It's like it's asking you to experiment and try new things.

       Once you are in the level, you select a tower to build with the d-pad. You then aim the reticle where you want to build using classic FPS controls; left stick to move the character, right stick to aim the cross hair. The level is divided into a grid with each tower taking up a square. You hold R2 for a second to build the tower. R1 recycles it, giving you back the resources you used up to build it. This lets you change up your build between rounds and experiment. Holding R2 while aiming at a tower allows you to upgrade it. You start with a general cannon tower, but soon start to earn more exotic ones, such as a gatling gun, a mine dispenser, and a tower that boosts other towers' attack power (plus there are 8 others, but I don't want to spoil them!). Besides these offensive towers, you also have tower bases, which act as blockades. Usually you have enough of these that you can build a maze that the enemies have to run through in order to get to the core. You can never close off a section of the maze completely; there must always be a way for the enemies to get through, but besides that rule your imagination is the limit. Designing these mazes is really fun, and the controls make it easy to do quickly. Two tools aid you in the design process. The first is the mini-map on the side of the screen, which can be blown up to nearly full screen size instantly by holding R1. The other is a line that flies through the air at regular intervals showing you the route the enemies will take to get to the core. This line updates in real-time as you build and is visible both in the level and on the mini-map. Building towers in the first person view might sound a bit cumbersome, but it actually works really smoothly. And the design part of it is really deep. You'll get some great “Aha!” moments as you design mazes that double back on themselves to let a tower get a second crack at the enemy, or create a shape that routes multiple enemy forces through the same kill zone of towers. The line that shows you the enemy route is an ingenious idea.

       You start the round when you are ready by pressing select, although some rounds start automatically after a timer ticks down, which puts the pressure on you to build quickly. The shooting controls are pretty standard. R2 is fire and R1 is alternate fire. All weapons have really cool alternate fire modes. For example, the shotgun's alternate mode charges up its power, the rocket launcher locks on to enemies if you hold alt fire, and the SMG secondary weapon shoots poison darts! L2 is the aim button, which slows your movement to a crawl but zooms in down the sights of your weapon allowing for better accuracy. Square is reload, X is jump, triangle is switch weapon, and clicking R3 makes you run. Some enemy types like to attack you if they get the chance while others will totally ignore you and make a bee-line for the core. Sanctum 2 really feels different in the shooting department because your weapons don't have all that many shots in their magazines. Ammo is unlimited, but you'll have to reload a lot, and you only have 2 weapons. Reloading is a little lengthier affair than in most games, but your guns can reload themselves while you are firing your other gun (I think this is because they are all energy weapons and are technically cooling down, not reloading). The only way to continually lay down fire is to constantly switch between your two weapons. You must always be sure to empty your clip to cause an automatic reload or to press the reload button before switching weapons. Otherwise you will be switching over to a weapon with only a few shots left and be stranded without the ability to shoot for a few precious seconds. This forces you to play really well and always manage your weapons correctly and to make sure your tower design is tight, as you can't rely on being able to save the day totally on your own.

       And that's the real beauty of Sanctum 2. It is balanced to a T. You need to personally play well and shoot straight, but you also need to design a clever maze and set up your towers in just the right configurations. If you fail at either, you probably won't be able to defend your core through enough rounds to clear the level. It truly is tower defense and first-person shooting at the same time. Both are equally important. The difficulty is keyed right into this formula too. Many of the levels took me several lengthy tries, but the game is so engaging and there are so many methods and combinations to experiment with, I would often play these levels over and over again in a row without getting bored.

The level design is also pretty brilliant. The levels are very varied. They seemingly take you through every type of situation you could imagine, from defending a single core from a single attack point to defending multiple cores from multiple angles. There are wide open arenas for you to build in and tight spaces where every tower placement drastically alters the enemies' movement pattern. There are cores that are in the middle of the level and must be protected from all sides and cores that need to be almost fully protected by towers while you personally guard another core yourself. You will build mazes that funnel enemies into big killzones for your towers and mazes that just lead the enemies on a circuitous route to buy you some time. Some levels don't even let you build a maze at all, making you place towers with a totally different philosophy. Most make you think about how you are going to take out both mobs of little enemies and attacks by titanic armored beasts given the current terrain. There are 16 levels, and they are all really well-designed and fun. They even have secret areas you can explore, which usually contain mines you can bring back to the main part of the level and plant. And the last level... your jaw might drop when you see how that is set up. Brilliant.

       Visually, this is a really unique and interesting world. The player characters are all wearing this futuristic white armor with mostly rounded edges. Thy all have one normal hand and one gigantic robotic hand that holds their heavy weapons. SiMO has a holographic screen for a face that makes silly images and also displays information readouts that the other characters read like a computer screen. The weapons all look really great too. Even familiar weapons look exotic and different, and the guns have lots of weird moving parts and interesting visual features on them. The towers are incredibly sleek and clean, like they are medical equipment or something. The enemies are amazing too. They have a beautiful purple and black color scheme with one bright red eye-like slit in the middle. This design carries over to flying enemies with fluttering tentacles, giant four-legged beasts, massive boss monsters (which are the only enemies that can destroy your towers, I should mention), and other strange monstrosities, like a four-legged enemy called a Soaker that carries a gigantic red, pulsating bulb on top of it, and small kamikaze enemies that look like they just crawled out of on of those underwater caves that are out in the middle of nowhere. The enemies are grotesque, bizarre, and beautiful and very unique. My reaction to the human, mechanical, and creature designs was that I want action figures or model kits of them, and I can think of no higher praise. The landscapes of the levels and the art in the comic strips lives up to this same very high standard.

       If you want to mess around with the game's basic formula, there are some interesting ways to do so. You can switch to survival mode, which makes waves of enemies continue to come past the levels' normal ten or so rounds. The level goes until you loose the core in this mode. More interesting to me however, are the feats of strength. These are settings you can add to a level that make it more difficult and give you an experience bonus. There are five of these, and they do things like make enemies faster or stronger or harder to kill. After beating the game, I wanted to try and beat it with all five enabled, as the trophy list beckons you to do. After awhile, it became clear to me that even when using the ingenious strategies I found on this youtube channel (which I recommend only using after you beat the game with your own strategies!) I am not quite good enough to beat most of the levels this way. I decided to beat the game with 3 feats of strength active. I beat most of the game this way, but had to turn it down to 2 feats of strength for a few of the tougher levels, and even down to 1 for the craziness that is the final level (especially because the strategy used on the youtube channel for this level has been patched so that it doesn't work now! I had to improvise my own strategy based on the idea in the video). The feats of strength are basically a customizable hard mode that you can tailor to your needs while increasing your XP gain, which is awesome. It's a great way to do a hard mode that more games should consider.

        The music side of Sanctum 2 is solid. There are a few calm beautiful tunes that play during the building phase and on the title screen, but the music that chimes in during the attack phase is epic – movie score type stuff that gets the adrenaline flowing. The song that plays during the build phase of the final level is a standout. It's like a slowed down chill remix of an early Daft Punk song or something. The calm tune on the title screen is also great as you stare into the distant landscape featured there.

       I want to take a minute and congratulate Sanctum 2's developers for their handling of texture pop. The level loads up in the background while you pick your character and loadout. So when you drop into the level, it is fully loaded! Amazing! I think it's pretty obvious that you need to do something like this if you are using Unreal engine, but most games totally ignore this concept and just have the textures pop in as you go, which looks incredibly stupid and kills any immersion they might have going on. Come on AAA games! You couldn't figure this out!

       Sanctum 2 occasionally has some frame rate drop when the action gets really, really out of control. There are two levels where this might happen and even when the problem shows up, it's not that bad, and the game runs smoothly otherwise.

       You can play up to four player co-op, and I can see how it is really designed for co-op play in many ways as the different characters are pretty varied and are much better at certain things than the others. The also levels feature situations that would allow for coordinated attacks and such. From what I hear the difficulty scales up as you add more players too. I still felt like I got a great, perfectly balanced experience playing solo though. Unfortunately I don't have the ability to test out the mulitplayer at this time.

       I am really jealous that the Steam version of this game has a lot of DLC with new levels, enemies, weapons, towers, perks, and even a new character. Even the 360 version got some of those things too. From what I read, the PS3 version of this game was a flop (which is insane as this is such, such, such a great game) and there are no plans to bring the DLC over. Sadness.

       Sanctum 2 is a nearly perfect game. If it had just stuck the landing on the ending and lost the framerate problem, it would probably be there. It is unique and executed almost perfectly. It's balance reminds me of the superb difficulty tuning of the Wipeout games. It's amazing that it does something so different and does it so well. The next article I write for the blog will be the 2^nd Annual Game of My Year Awards, and Sanctum 2 is a big contender. It is so close to a perfect score. It's deep, yet fun to play. It requires planning and strategy but also twitchy shooting skills. Its character, creature, and mechanical design are among the best in gaming. It's addictive and varried and difficult. It's a great game, tier 2.

Mega Man Zero 3 Review

       Mega Man Zero is a nice little series. It has some great hardcore Mega Man style platforming action featuring everybody's favorite red rampager and continues nicely on some of the cooler themes of the Mega Man X series. It also has some flaws of its own. Let's see where number 3 stacks up.

      Mega Man Zero 3 is a GBA game that I played on my DS as part of Mega Man Zero Collection. In it, Zero and his human companion Ciel face a new threat with the appearance of a scientist who has brought the giant, ultra-powerful reploid Omega back to earth. This guy was so powerful and dangerous that he was exiled from Earth to space. The scientist, Dr. Weil, claims to have him under control. It's obvious from the start that this guy is up to no good and is using Omega to complete his goal of using the Dark Elf for some evil purpose. Like all Mega Man X and Zero story lines, this one makes little sense and is mostly garbage. Ciel is as annoying as ever, as is everyone in the resistance base, and ignoring them as much as possible is a good idea. Actually, pretty much all the dialogue, including the mandatory conversations with boss enemies, is downright terrible. At least in this one, I didn't agree with what the bad guys were up to, which I did to a large degree in Zero 1 and 2. Having said that, Zero 3 does have some interesting themes and ideas. Most X and Zero games have this same dichotomy going on; the story is in general pretty bad, but with some cool themes. Zero 3's main interesting part is a giant truth bomb it drops on you near the end. There is some foreshadowing, but I was too dense to figure it out. I really liked this element, but after the big reveal, the game (story-wise) goes back to stupid mode and totally fails to capitalize on the bombshell it just dropped on you. It's a shame, but at least all the stupidity has a big bright spot in it, which is more than I can say for many games.

       Now onto what the gameplay is like. I felt like I could describe the story first since you probably know what a Mega Man game is like gameplay wise. In case you don't, you choose different stages that you must complete in any order. Each level is run by a boss, and if you get to the end, you must fight them. The 2d levels are pretty large and require traversal in all directions, but they all move from left to right in general. Enemies populate the levels. These typically take a few hits to kill. You have four weapons from the get-go this time around: the Z-Saber, a gun, the shield boomerang thing from the previous game or 2, and the new recoil rod. I used the Z-Saber and gun almost exclusively except for some specific situations. I equipped the saber to the b button and the gun to the R button as I found it easier to charge up a more powerful shot using a shoulder button as opposed to a face button. A is jump and L is dash. As usual you can cling to walls for a second before you start sliding down them, which means you can climb them by clinging to them and then continuously jumping higher and clinging again. You'll need to do this a lot to avoid enemy fire, traverse the level, and save yourself from falling down cliffs or into insta-kill spikes.

       Cyber Elves make a return in this game. These are basically one-time use abilities that are gone forever after you use them. You earn them by killing enemies and by finding hidden crates in levels. They do things like destroy enemies, damage bosses, or boost your score. As usual, this isn't a very well fleshed out system, as most of the elves aren't worth using. However, this time around there are satellite elves. These guys float around Zero when equipped, which is a cool visual touch reminiscent of a shmup power up. They grant him abilities as long as they are equipped, and they don't permanently die when used like other elves. I only found 3, and only one of them was really useful (the one that lets you slice bullets with your sword to block them), but that's better than nothing.

       The levels have a pretty nice feel to them. Dashing toward an enemy and slicing them just before they fire on you still feels amazing, as does jumping around at high-speed through tricky platforming sections. There are a few difficult jumping sections to complete, but overall they seemed less frustrating than previous games. Mini bosses pop up in a few of the levels, and they typically aren't very hard. My MO throughout the game was to use the sword throughout the levels and then switch to the gun to fight the bosses.

       Reaching the boss represents about 50% of the difficulty of each level as bosses are very hard. You must learn their attack patterns and be able to read when they are open for an attack. They can kill you very quickly if you are unfamiliar with them. This edition's set of bosses are pretty challenging. Usually in a Mega Man game there are a few pushovers, but in Zero 3, even the pushovers occasionally got a kill in on me. The design of the bosses is pretty good too. There is a really big guy with 3 life bars and also a tiny little boss that's really mobile, and everything in between. Most bosses have a weakness to one of the elements you can equip, but not all, and unlike some Mega Man games, you only do elemental damage with charged-up shots. Some of these bosses are in tight little rooms. Others are in less claustrophobic spaces that scroll a little bit. Some have you climbing the walls to avoid attacks, others have attacks that require you to hold still to avoid damage. Some have attacks that seem un-dodgeable until you notice the one little corner of space you can put yourself in and be safe. There is a great need to dash, jump, climb, and run in order to avoid certain death in all kinds of patterns and shapes.

       Once again, you have three lives to complete each level. That number is balanced pretty well. Unfortunately the very weird design flaw of not refilling your lives when you start a new level is in this game, as it is in many Mega Man titles. For example, if you beat a level on your last life, you will start the next level on your last life. Since there is no chance that you will beat a brand new level in one life, the best thing to do is purposely kill yourself so you can get a game over and then re-start the level with a full set of lives. This is terribly annoying. And if you save your game between levels when you are in this situation, you may have to repeat this process many times until you beat the level you are stuck on. You may even want to go into an older level, kill yourself, continue, and then exit the level and save again so that when you boot up you are at 3 lives. I had to do this once after I had to do the seppuku ritual many, many times while I was stuck on the last level.

         You may be aware that most Mega Man games end in a boss rush level where you must kill all of the bosses again and then face the final boss. This game is no exception. This time around it is especially brutal because, as stated earlier, the bosses seem a bit tougher this time and even the easier ones can get a kill in on you from time to time. I easily spent more time on the final level than the whole rest of the game; maybe even twice as much time. This is exacerbated by the fact that the last boss is super-hard too, and you can't recharge your health between the different segments of that multi-form fight. After many, many days of trying this level over and over, I decided to use some cyber elves to help me (I was abstaining on the one-time use elves up to this point because I thought I was too cool to need them). I used a couple that drained the last boss's health considerably, and was able to beat him that way. I felt a little dirty, but I was so ready for the game to be done, I didn't care. I usually pride myself on not using too many cyber elves in a MM0 game, but I think I did the right thing this time.

       Audio-visually, Zero 3 is ok. The sprites and animation are pretty smooth, but with some rough spots. Character design is pretty good. Two or three of the bosses are really cool looking. I especially like the little ice frog boss. Everything else is pretty standard though. Like most portable games, I played this one mostly on mute because I play in the break room at work while also having conversations. I don't feel like I missed out on too much though. The music is pretty good, although there aren't really any stand out tracks. Most of the sound effects are good, but there are a handful that are really annoying. For example, some of the bosses' voices that they use to scream before they do certain attacks are downright shriek-ey. There is also a satellite elf that when equipped will constantly fire bombs out. This seems really cool, but the sound effect of the bomb is really bad and you hear it non-stop as it continuously fires, so you pretty much have to un-equip it so you don't go insane.

       In both Zero1 and 2, I immediately played hard mode after beating the game. In 3, I was so ready to be done with it by the end, I definitely wasn't going to play on hard mode. It's not that it is a bad game; it is plenty of fun. I just didn't feel the need to challenge myself to a more difficult version. Maybe that speaks to the difficulty of Zero 3's normal mode, which I'm pretty sure surpasses 1's and 2's. I think it also speaks to the fact that Zero 1 and 2 where more engaging than this version. Zero 2 is the pinnacle of the series for me. It had an epic and inspiring last boss fight that is probably as hard as Zero 3's but much more engaging. It also had some great variations on the standard formula. The part where you fight 2 bosses at once especially stands out as one of the most epic Mega Man moments ever for me. 3 doesn't really have anything special like that.

       Looking over this review again, it sounds like I'm really trashing this game. Let it be known that it is a totally solid and fun entry in the series, just not a particularly stand out one. It's not as good as Zero 2, and I was disappointed that it didn't inspire me to high-level hard mode play, but it does have a nice set of challenging bosses. It's a mediocre game, tier 1.

Shinobi Arcade Review

       Last but not least in my recent set of reviews of games on Sonic's Ultimate Genesis Collection comes another arcade game that isn't actually on Genesis: Shinobi. I played a bunch of Shinobi 3 a few years back and had a blast, so I was interested to see what this was like.

       First off, it has worse graphics than Shinobi 3, which I wasn't quite expecting since some of these arcade games, like Fantasy Zone and Alien Syndrome, have quite good graphics. It looks pretty decent though. The sprites are huge and pretty detailed. A lot of the sprites have pretty great animation, but the player character looks a little stiff. He walks like he's trying to get to the bathroom asap, and his jumps aren't really that ninja-like.

       This is contrasted by the way the game's action feels; it really makes you feel like you are a ninja fighting other ninja and enemies. You go through the 2d levels from left to right although there is some up and done and right to left involved to. You must find a certain number of hostages (who, hilariously, are all the same red-headed little boy in pink pajamas) before you can leave. You move with the d-pad, X is jump. You attack with square. If you are far from an enemy, you throw a shuriken (which are unlimted, unlike Shinobi 3). If you are closer to an enemy, you will kick them or slash them with a sword instead. You can power-up your shuriken to a mini cannon type thing that is more powerful by rescuing certain little boys. You can jump between foreground and background or between levels on a stage by pressing up and jump or down and jump. Triangle activates your ninjitsu attack, which is kind of like a bomb in a shmup. Everything freezes and you unleash a cool attack, such as making a ton of copies of yourself bounce around everywhere or summoning some elemental power. This takes out all of the enemies on the screen, and really has the feel of a shmup bomb as you can use it offensively to take out a big group of enemies or defensively to save yourself from a hit at the last second. This can be used once per stage per life.

     The levels are typically crawling with 3 kinds of enemies. There are regular dudes with guns, who shoot continuously at you. When you see them, you need to duck immediately to get under their bullets, which fly across the screen pretty quickly (although pretty slowly compared to real life). One hit kills you in this game, so you need to be careful. You can often get the jump on these guys while they are reloading, which is really cool. Then there are ninjas. These guys appear out of nowhere and try to get you with their swords. They are pretty aggressive, and unlike the regular guys with guns, they too can jump into and out of the background, so they are hard to get away from. They also take two hits to kill. Dodging their aggressive jump attacks and charges is challenging but well choreographed, and is a big part of why the game is fun. It really feels like you are in a dance of death with other ninja when a few of them suddenly materialize in front of you and charge. The third type are the guards who are always near the hostages. These guys throw swords at you that you must either duck under or jump over. The swords boomerang back to the guards, so you must watch for them on the way back too. That is unless you kill the guard, in which case the sword will keep going instead of boomeranging. This leads to interesting combat situations in which you must remember if the sword is going to boomerang or not and what level it will be flying at in order to avoid it. These guys also have shields so you can't pick them off from a distance; you must approach them and give them the opportunity to attack you. These guys stay dead when you kill them, even if you die and start the level over.

       Between groups of levels there is a first-person bonus stage where you throw shuriken at ninjas who are approaching you. If you kill them all, you gain a life. It looks really impressive; the first-person view of hands throwing ninja stars is cool, and when a ninja kills you see a giant, awesome looking sprite of it, but the levels aren't that playable and I was never able to get a bonus life.

       The final level in each group of levels is a boss fight. These fights seem pretty difficult until you realize that your ninjitsu attack will drain most of a boss's hit points, although you'll still have to get a few hits in the hard way. Even so, the bosses are fun and varied. They each require different tactics to beat, and some require some figuring out with some pretty cool “aha!” moments. The last boss is a really fun challenge. 

       The game's music is pretty cool. It has a bit of traditional Asian flair to it that sets the mood pretty well.

Curiously, you can't continue when on the final set of levels. The game is set to free play on SUGC, but if you lose all your lives in the last world, it's game over. This means if you just want to see the end, you need to save scum your way through the last few levels. I used 15 “quarters” to get that far. The last few levels actually aren't that much harder than the rest of the game (read – they are all really hard). The last boss is super hard though, and trying to figure him out with very limited lives and no continues would be quite a process without the magic of save states. Beating the game on one “quarter” is doable, but I'm not going to do it. Like all these arcade games I played, that would be a matter of months to do, and it doesn't merit that kind of replay.

       Shinobi is a fun take on the action platformer. Like I said, it really does make you feel like a ninja, whether you are taking out an army of normal dudes with guns, nimbly fighting it out with a handful of your fellow ninja, or summoning ninja magic to duel a boss. Some of the animation could use some work, but the sprite-work in general is really cool. It's a fun little nostalgic game. Mediocre, Tier 1.

Fantasy Zone Review

      It's funny that not many of the actual Genesis games grabbed my attention on Sonic's Ultimate Genesis Collection. I got more into the arcade games that are included as a bonus. Fantasy Zone grabbed me right from the start.

       It is a 2d space ship shmup, but you'll almost immediately notice that you can turn around and fly to the left at any time a la Defender (at least I think it is Defender that does this too). You'll also almost immediately notice the game's atypically colorful and even cutsey graphic design. In fact, if you look the game up on Wikipedia, you'll even see that it is considered one of the first “cute'em-up” games.

       Before we go any further, I want to warn you that just like Alien Syndrome you need to change all the arcade options to their easiest settings before playing the game. Seriously.

       In each level, you fly around from the left to right or right to left trying to take out 10 enemy bases. You can move left or right by pressing the direction button you want to go. The screen will then start scrolling in that direction. You can change direction at any time and the screen will start scrolling in the other direction. Each level is a loop, so if you go all the way to the right, you will be back at the beginning again. You fire your main gun with square (and you have to mash on it to make it fire quickly) and you drop bombs with X. Once you take out the enemy bases, you will fight a boss. During the boss fights, you will lock into the traditional left to right orientation. This really highlights the difference between a traditional shmup and what Fantasy Zone has going on. Dodging enemy fire is actually a lot easier when you are in traditional mode. When you are in the level before the boss fight, you can't move backward because you will just change direction. This makes many traditional shmup tactics unusable. You can't continuously dodge fire while firing yourself because when you move backward you turn around and are now firing in the other direction. This leads to you developing tactics that will work in Fantasy Zone's environment, such as hanging at the back of the screen and trying hard not to turn around, doing attack runs on enemy bases and then turning around to attack them again from the other direction, or buying weapons that can help you have enough attack power to run through the level without turning around or needing to dodge. These tactics give Fantasy Zone a great unique feel in a genre whose games can be pretty samey.

       Many enemies in Fantasy Zone (especially bases and bosses) drop money. At certain times in a level (usually at the beginning and when you collect a certain amount of money) a balloon that says shop will float by. If you touch it, time freezes and you go to the shop, where you can spend the money on power-ups. You can get new engines that make you go faster, powerful main weapons, and powerful one-time use bombs. It is basically required that you buy a better engine asap, as you are really slow by default. It's weird though, because two of the engines you can buy make you so insanely fast that you are impossible to control, so you pretty much always want the middle engine. If you're anything like me, you will need to buy a powerful main weapon to help you through most of the levels. There is a laser that blasts through bases really quickly that became my mainstay, although the seven way shot is great for taking on levels with lots of enemies. These weapons are on a timer, and when it runs out, you are back to your basic shot. The bombs you can buy are powerful, but expensive and very limited in usage. And like all of the powerups, you lose them if you die. I barely used bombs except in a few key places where they helped a lot. Lastly, you can buy lives. These increase in price dramatically each time you buy one. I was usually able to buy a few on my playthroughs. This is the only way to get extra lives. You can't continue by putting in another quarter or using free-play mode. The shop is great, but occasionally it won't show up when it usually would for some reason. This can leave you woefully under powered in a tough area, leading to a chain of deaths, which is very frustrating. But usually it appears right on cue to let you power yourself up.

       The bosses in Fantasy Zone are great. Some of them fire a well-balanced bullet curtain at you that you have to dodge. Some need to be shot in very specific places. One of them is almost exactly like one of the final bosses in Soldner X. And there are several that are really unique and do things I haven't seen in a shmup before. This includes the final boss, who has a really unique and interesting attack pattern. Most of the bosses are really well-balanced and smart fights that give you a challenge even if you've played them many times. The bosses all have really cool visual designs too. I was totally sold on the game when I saw that the boss of level 1 was a giant stump of wood. You'll also fight an angry plant, snowmen, and a bunch of other stuff (always with a face on it!).

       Actually, everything in Fantasy Zone has great visual design. The backgrounds of each level are colorful and feature great landscape... features and flora. There are strange lakes and weird forests and all kinds of stuff. Normal enemies are all pretty adorable or quite weird. There are little guys with faces, orbs with legs, spaceships, formations of drills and UFOs and more. The enemy bases you have to take out are often living creatures with eyes or wings or hands. The ship you play with is also apparently a living creature. His name is Opa-Opa, and his default engine is wings. If you are too far down on the screen he pops out some legs and runs along the ground, which is endlessly amusing.

       The music is also great. The levels are usually very cheery and catchy in a good way. The pinnacle is probably the ice level. Hearing that level's music makes me want to run outside into the snow and sled down a hill. It's really great, as is most of the other music. When you fight a boss, however, the music gets pretty serious and intense. It's a nice dichotomy that works well, especially since boss fights play a little different than the main game too.

       The game actually has a little story that is worth mentioning. It is explained through some text scrolls you can read at the beginning. It seems pretty generic at first glance, but it is kind of cool. And the ending of the game is actually pretty excellent, and probably not what you are expecting at all.

       This is an arcade game and a shmup, so it is very difficult and punishing. One hit kills, no continues, limited lives, then you start over from the beginning. I played it without save scumming for 2-3 weeks and was making a lot of progress and having a lot of fun. Then the progress really slowed to a halt for me, and I started to get antsy, so I decided to save-scum to beat the game. Well, let me tell you, I'm glad I did, because beating it legitimately would probably have taken another 1-2 months more of pretty regular play. It gets very hard at the end, and you have to learn by doing how to beat the bosses and levels.

       Ports of arcade games are always a weird thing. How do you reconcile the quarter-feeding nature of these games with home play? Ikaruga handled it by letting you earn more continues until you were in free play mode. But that feels cheap because once you are in free play mode you can endlessly continue your way to the end. Fantasy Zone on SUGC let's you save at any point, which can lead to frustration if you haven't gotten good at the game first. Fantasy Zone also doesn't have a continue system, so there is no free play option, which makes sense since it allows you to buy lives. I recommend playing it a lot regularly, getting good, and then save-scumming to see the end. The last few levels were still fun and interesting to me this way, and it's the only way a lot of people will be able to see the end of the game without a really, really big time commitment. Perhaps the best method of dealing with porting an arcade game for home play is what was done in the Metal Slug Anthology I played on PSP. In that collection you could set the difficulty and based on that you got a number of continues (aka quarters). So the normal setting gave you a realistic amount of virtual quarters that you could use to beat the game once you got somewhat good at it (which for a Metal Slug game, is like 15 or so!).

       Anyways, Fantasy Zone is 28 year old game that excels in its design, music, and gameplay. It's different. It almost feels like a modern indie game putting a few interesting spins on shmup gameplay. It's a real good time. I wish it had a better resolution of the arcade-game-ported-to-home conundrum, but that 's a tough one, especially for a game without continues. I guess the real solution to that is to man up and play it for a really, really long time. I don't think it quite merits that much attention though. But it does merit a few weeks of play to learn how to play it well, and then go ahead and save-scum to check out the last few great encounters in its endgame. It's a Great Game, Tier 3.

Alien Syndrome Review

        This review is for the arcade version of Alien Syndrome as included as a bonus on the PS3 disc Sonic's Ultimate Genesis Collection. I found many of the games in this collection to be a bit lackluster, but I felt some kind of connection to Alien Syndrome the second I started playing it. It is fun and has a great look to it. It somewhat reminds me of the PSP sequel of the same name and license that came out a few years back, but it is instantly more likable (although the 2^nd half of the PSP version is quite fun).

       It is a top down shooter. You play as either a male or female soldier that control identically. You move with the d-pad or analog stick and fire with square. You shoot in the direction you are facing. That's it for the controls. Each level is a space station or installation. You must find ten humans and rescue them while fighting off hordes of aliens. Once you have rescued ten people, you can proceed to the exit and fight the level's boss. All the while a timer is ticking down, and if it gets to zero, the whole place explodes.

       You can find powerups in wall panels that replace the pea-shooter you start with. You can get a fireball launcher, a laser, and a few other weapons. You can also find robots that will follow along behind you and fire backward. Each level features a different layout. Some are mostly open but have a few seperate rooms. Others feature pits you can fall into. Later levels have a more complex layout for you to traverse. There are maps on some walls, and touching them will temporarily bring up a map of the level, including human locations. This isn't needed for the first few levels, but helps out in the last couple.

       Each level features a different alien species. The first level has these amazing pink bloated worm things that are stuningly animated (I think these are in the PSP game too, they seem really familiar). They mostly move in pre-set patterns, although there is a yellow variety that will hunt you down and even shoot a projectile at you. Then in the second level there are bipedal aliens that seem a bit smarter, shoot projectiles, and continuously spawn out of enemy generators. Things get weirder from there, with different appearances, behaviors, and strengths.

       Finally, each level features a boss. These are usually large, freakish beasts that aggressively attack you. The designers of this game obviously went to the Contra School of Freaky Creature Design, as there is more than one enemy that has a fetus head grafted onto it. Quite disturbing. Some bosses send minions after you. Others fire lots of projectiles. Others jump at you themselves, and there are a few other weird strategies they employ. One of this game's strengths is its diveresity in its levels, enemies, and bosses.

       Now after playing the game a bit, you run into some flaws. Mainly that you can only fire in the direction you are facing or moving, and you can only change your facing by taking a step in the direction you want to face. This leads to a lot of problems. If a game were designed around this as a feature, that might work, but in this instance it feels like a design flaw. There are a lot of frustrating times when you die because you couldn't aim where you wanted to while moving where you wanted to. This game looks like a twin stick shooter, but it isn't. That in itself isn't a flaw, but the issue of moving and shooting needs to be resolved. I think the solution would be to make it so you have a way to hold still and pivot in place, and possibly a way to lock yourself to one facing while still being able to move. Having it be a straight up twin stick shooter would change the feel too much, but implementing one or two of the above changes and then cranking the difficulty up a bit would probably make it more fun and less frustrating. Just to be clear, it's super-difficult as it is, but if you kept the difficulty the same and made these changes, that might make the game too easy. Know what I mean?

        As you might expect for an arcade shooter, Alien Syndrome is real hard. At the beginning of this version, you can change some of the settings (which, if I'm not mistaken, represents settings the owner of an arcade cabinent can change on the circuit board or a panel or something). Believe me when I say you need to set it to the easiest modes, and it's still going to be an extreme challenge. Is it possible to beat without using this version's ability to save at any time? Well, yes, I think so. But that statement is complicated by the fact that you can't continue by putting in another virtual quarter; the game goes straight to game over when you die. You start with 4 lives, and there is no way to earn another. That means you need to beat the entire game with only 3 mistakes allowed. Deaths come frequently and lurk around every corner in this game. It gets real hard at the end too. This feat is possible with a lot of practice. I didn't do it though. After playing for about 2 weeks or so without cheating, I got to the boss of level 4 out of 6. I started save-scumming and beat the game. It was still challenging and fun to figure out the levels and bosses, and I'm glad I did it, although I do feel a little dirty. I feel ok though since I played it a lot without cheating first, and really felt that hardcore arcade experience of being able to get further and further. It's just that at the point of frustration and lack of progress, I was able to leisurely play the rest of the game and enjoy it rather than just quitting. Several more weeks would be required for me to beat it legitamately, but I was ready to move on.

       Alien Syndrome is a fun game. It has amazing enemy design (if you're into the really weird Contra-style stuff), great animation, and a lot of variety in it's levels and encounters. The music, which is slow and brooding in the level, and then more frantic when you fight the boss) is pretty good too, as are the digitized screams and voice overs. It's extremely hard, but you should know that going in since it's an arcade game. You can see most of the game by playing it legitamately, but if you get stuck, it's still fun to play with cheat-saving as you still need to figure out how to navigate each level and how to attack each boss; you can't just force your way through. Its basic gameplay is a little flawed due to the above mentioned aiming and moving thing, but overall it holds up incredibly well for a game from '87 (I was 2 when this came out, and it's still totally playable!). It's a mediocre game, tier 1.